Interesting write up by Luke Turner on Notes on Metamodernism about The Absence of Myth and Daniel C. Blight’s Chandelier project.
16-18 Honeage Street, E1 in London
Tomorrow the 5th from 6-9pm
Exhibition opened till the 12th from 10-5pm
Me and my colleagues from one and only North London Darkroom !!!
Supreme Vice book is on show in ‘Reading Photographs’, group exhibition at The Centre of Modern and Contemporary Art in La Spezia, Italy.
The Guardian article about my work and current exhibition “The Absence of Myth” at Legion TV.
nomorebadfuture asked: great work! what do you shoot with?
Thanks! Various medium format cameras on Ilford delta 400
THE ABSENCE OF MYTH
“’Night is also a sun’, and the absence of myth is also a myth: the coldest, the purest, the only true myth.”
- Georges Bataille
Legion TV are pleased to present Tereza Zelenkova’s first solo show in London. The exhibition will include Zelenkova’s latest photographic works, which are presented as excerpts from a critical dictionary created by the artist. Drawing on the traditions of Surrealism, Zelenkova’s darkly romantic work frequently references Georges Bataille, whose writings also partially inspired this project.
Working in black and white, Zelenkova’s photographs are often a nostalgic and melancholic representation of the present, that for her perpetually blends with the past, and vice versa. The images are mostly uninhabited and still; time here is frozen, not only through the alchemic process of photography, but also through the subject matter itself: old museum exhibits, preserved period interiors, or historic paintings, among others. It is as if the work resists the passage of time, the only dynamic feature being the water that occasionally runs through the otherwise timeless and unchanging environments.
The installation itself takes on the aesthetics of a museum exposition, creating a certain tension between the lyrical nature of the photographs and a detached, institutional-like presentation. The individual photographs are of intimate sizes that oscillate between public display and private album. For Zelenkova, each of her works is a result of subconscious choices, a mixture of chance and intentions, which under closer inspection reveal a web of associations, weaving together a narrative of a personal biography and artist’s cultural heritage. This is also the first time that Zelenkova presents her photographs together with text, revealing some of the inner concerns behind the work.
The exhibition is accompanied by a limited edition artist publication, which also serves as an exhibition catalogue, bringing together foreword by Daniel C. Blight, Zelenkova’s photographs, texts, and also a poem written by French poet Ed Anon.